SilviaBrazzale

dance artist, Dance Well teacher

insisti amore esistea take on a work by the artist @cicatrici.nere

Silvia Brazzale
(dancing) with ute wasserman (video · opens on YouTube)

(dancing) with ute wasserman

video · opens on YouTube

works

Performances and projects, each with its own page of photos, credits and text.

more

Teaching, creation, collaborations, training.

bio

Bologna

Silvia Brazzale
photo Nicola Scapin

I am Silvia Brazzale, a dancer and performer based in Bologna. What moves me is attention, to the place I pass through and that passes through me, to people, to what is already there. Dance as correspondence is listening and action, saying things to one another in the gesture itself.

I was born in Vicenza in 1998 and studied contemporary dance at the Centro Artedanza Lucy Briaschi in Thiene, where I also danced in the company (2015–2017). I graduated in Anthropology, Religions and Oriental Civilisations from the University of Bologna, with a thesis on contemporary dance as a medium of protest. I continue to train with, among others, Thomas Hauert, Cristina Caprioli, Ambra Senatore, Alessandro Sciarroni and Marcos Morau.

From 2017 to 2024 I worked with Virgilio Sieni, whose assistant I was between 2022 and 2024. I also work with Daniele Ninarello, Roberta Kamila Zerbini (Valigià), Aristide Rontini, Matteo Maffesanti, Camilla Guarino and Giulia Campolmi (Paso Doble). I am part of The Choreography of Water, a production by Tangaj Collective (with performances at the Tanz im August and Oriente Occidente festivals). I took part as a performer in the opera Orfeo ed Euridice, directed by Shirin Neshat, and appeared as an actress in Pietro Marcello’s Duse. I lead movement practices with groups of people with Parkinson’s within the Dance Well network and, in other contexts, with people with cognitive disabilities.

What moves me is attention, to the place I pass through and that passes through me, to everything that makes a situation and an event particular and unrepeatable. To correspond is to listen and to respond, each time, to what is already there. Dance as correspondence is therefore listening and action, saying things to one another in the gesture itself, body to body. Voice and sound also enter my artistic research. I began exploring them through the study of the violin and rediscovered them in 2024, when I met Nina Baietta and her work on the vocal gesture.

CV: metti il file PDF in questa cartella con nome cv.pdf

RITRATTI: metti le foto in foto_ritratto/ e scrivi qui chi le ha fatte

crediti_ritratti: 01.jpg = Nicola Scapin

Es: 01.jpg = Nome Fotografo ; 02.jpg = Altro Fotografo

contact

Write to me about performances, workshops and collaborations.

Your data is used only to reply to your message. Privacy